“Bronwyn Douglass’s focussed and fiery Donna Elvira is a force to be reckoned with… she commands the stage space in any scene with a pointed purpose. Her precise,  fluid tone matches her character’s gutsy but ill-fated plight.

Douglass is a fine anchor with regards to vocal blend in ensemble moments. In the trio singing when  hunting the libertine Don Juan,  she creates shimmering soundscapes… Her window scene and trio  (‘Ah taci ingiusto core’) with the soon to be switched Leporello and Don Giovanni is beautifully shaped. The trajectory of her comic-tragic character are always delivered with verve and perfect dramatic timing.”